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Fantastique et techniques textuelles dans Aurélia de Gérard de Nerval | ||
Revue des Études de la Langue Française | ||
مقاله 4، دوره 5، شماره 2 - شماره پیاپی 9، مهر 2013، صفحه 26-40 اصل مقاله (377.54 K) | ||
نوع مقاله: Original Article | ||
شناسه دیجیتال (DOI): 10.22108/relf.2634.20330 | ||
نویسندگان | ||
Nasrin Daftarchi* 1؛ Mehdi Afkhami Nia2؛ Mohammad-Hossein Djavari3 | ||
1Doctoranteà l’Universitéde Tabriz,Tabriz, Iran | ||
2Maître de conférencesà l’Université de Tabriz, Tabriz, Iran | ||
3Professeurà l’Université de Tabriz, Tabriz, Iran | ||
چکیده | ||
“Fantastic” is a broad discussion in the literature of the nineteenth century. This genre appeared sometimes in the form of novel or story. Initially, at the same time of the birth of the school of Romanticism, the literary form of Fantastic started to appear. Gérard de Nerval represents the world of fantasy by the textual techniques. In this paper, we study the effects of the literary textual features of the Aurélia. We will discuss about the relationship between the textual techniques for analyzing the mechanisms of Fantastic under the textual features. Gérard Genette’s theories could be considered as a good method for this analysis. Our research is based on the study of fantastic traits manifested in the form of textual features such as narrator, personages, space and time. In this article, we plan to understand how the textual mechanisms of the novel could meet the demand of the fantastic spring | ||
کلیدواژهها | ||
Keywords: Fantasy؛ Aurélia؛ Gérard de Nerval؛ chimerical world and imagination | ||
مراجع | ||
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