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En quoi La Chouette aveuglede Sadegh Hedayat est-il un anti-roman? | ||
| Revue des Études de la Langue Française | ||
| مقاله 3، دوره 5، شماره 2 - شماره پیاپی 9، مهر 2013، صفحه 15-26 اصل مقاله (212.05 K) | ||
| نوع مقاله: Original Article | ||
| شناسه دیجیتال (DOI): 10.22108/relf.2634.20329 | ||
| نویسنده | ||
| Marzieh Balighi* | ||
| Professeur assistante, Université de Tabriz, Tabriz, Iran | ||
| چکیده | ||
| Abstract First appeared in Tehran in 1941 as a serial in the daily Iran and translated into French by Roger Lescot in 1953, The Blind Owl follow a disconcerting storyline. Widely regarded as Sadegh Hedayat's masterpiece, this novel introduces its author - since his death in 1951 - as one of the main founders of modern Persian literature. But this work is considered to be such an antinovel, challenging to traditional narrative. This is a challenge that results in a very strange and complex text characterized by the absence of a coherent plot, the characters depicted as unreal, the unrealistic places, an undefined temporal structure and at last by the complexity of its atmosphere, irreducible to the interpretation. It therefore requires a non-linear reading. In this article, we will discuss how is applied, in this novel, the challenges to the major components of the prose narrative. | ||
| کلیدواژه‌ها | ||
| Keywords: The Blind Owl؛ Sadegh Hedayat؛ novel؛ antinovel؛ Narrative Structure؛ frustrated reader | ||
| مراجع | ||
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